Summary (Warning: mild spoilers):
In a setting parallel to our own, the United States contains independent kingdoms ruled by powerful fae families interspersed with states. A disabled veteran, named Eileen, seeks to find a way to have independence, use her skills, and manage her own disability. She also finds herself fighting for the freedom of human slaves in a time when powerful magic and political conflict are at the forefront of debates in Washington, DC.
In this first book of The Revolution Series, Eileen finds herself caught up in a collection of political plots. While one group seeks to unseat a royal family in a fae kingdom, she is recruited to assist in coordinated espionage to free enslaved humans from these same kingdoms. All the while, she is reminded that everyone has ulterior motives, including the voices in her own head.
My Overall Response:
Clara Martin approaches neurodiversity and mental illness through Eileen’s experience providing the reader with insight often missed but desperately needed. Martin shows the importance of self-care, structure, and examples of the constant micro-aggressions people that choose to be open about their situations face each day. One of the impressive parts of the book is how Martin uses this as a way to share some of her personal experiences with the daily battles she shares with Eileen. Her representation is consistent with other personal accounts of schizophrenia, such as those shared on the Out of My Mind podcast, and adds to an ever growing narrative that breaks down the stigma.
The story has twists, turns, and plenty of fun to keep the reader interested. From double agents to dishonest romantic interests, the characters reveal themselves as distrusting of even the best-intended information due to their own prejudices.
A special bonus for describing the setting in ways that show the author is writing what they know. I much appreciate it when I read about places I know in ways that capture intimate details, such as how difficult it is to park in Washington, DC.
Additionally, Eileen is a strong female character working to overcome her inability to use magic in a world where magic is continuously used. This parallel provides the reader with some insight into the compensation and constant struggle many veterans face after military service when they return home with new disabilities. Martin acknowledges that many wounds are from training exercises, accidents, assault, and other non-deployment related injuries – an often forgotten piece of the daily struggles for veterans. Female veterans tend to be underrepresented in fiction, but Martin succeeds in bringing this perspective to the table while addressing the issue of sexual assault.
This book features an adorable couple as well as other examples, inclusive representation of the LGBTQA community.
This book has an easy reading style with content that is appropriate for ages 12+, but is also very enjoyable by an adult reader.
Overall the few grammatical issues included a couple missing punctuation marks and some inconsistent verb tenses. The punctuation could easily be missed due to formatting and the verb tenses are not inappropriate given common use. These errors do not interrupt the reader’s experience and may not be noticed by most.
Twilight Zone Moment:
Every book has at least one. These are the moments that don’t quite add up and throw a reader rolling down into the uncanny valley for a moment in an otherwise brilliant scene.
- Charles calls and shows up even though logically, they are much farther away. The main character, perhaps due to exhaustion, doesn’t notice the inconsistency until after the character arrives and turns out to be someone else.
- Somehow missed by Anna, even though she was already informed, an accused double agent kills someone to prevent anyone from using them for information. This scene seems like it should have garnered more attention than it received.
I don’t use rating scales (for now). I recommend reading this book and look forward to reading the sequel, Kingdom of the Western Wind.