New Short Story: The Disappearance of Lula Mae Darling

Image: Thomas Fields of Unspash https://unsplash.com/photos/CHmJOPQ77gU

Hey all! As many of you know, or if you haven’t guessed already based on my author bio, I’m from Middle of Nowhere Atlantic Coastal Region of the Southern United States. I’m married to a New Englander or ,”Yankee”. I grew up surrounded by unique stereotypes, and I love exploring the roles of stereotypes in American culture. If you like this kind of story, please let me know and I will write more like it.

Without saying anything more, I hope you enjoy my story “The Disappearance Of Lula Mae Darling” published today on Coffee House Writers!

Author Interview Series 2020: Margaret Lindsay Holton

I had the pleasure of being introduced to M. Lindsay Holton in October 2019 when she reached out to announce that with her book Trillium she returns to the indie publishing world after a 20 year hiatus. It has been such a pleasure emailing back and forth with this incredible author and learning from her responses to these questions. I haven’t even read her book yet, and I am really excited to do so now!

As someone with the future hope of writing a book one day, these interview questions were chosen for the purpose of learning from those that have more knowledge than me. ML Holton is the most accomplished author I have interviewed so far and I hope everyone basks in the wealth of experience demonstrated by her responses as much as I have. All of these responses are direct quotes.

For more information on and to purchase her other books, please take a moment to check out her Amazon Author Page, and for additional information you can visit her Artist Blog, Twitter Fan Page, and Facebook Fan Page.

What are a few of your favorite things? How did these influence your book?

I love what Nature offers us in all its daily and seasonal cycles of birth, growth, decay and death. As humans, we have invented so many ‘structures’ – social, and mechanical – to better control these natural rhythms, when, really, immersion is the best and most practical teacher. We are a part of Nature, not apart from it.

This understanding became the quiet flowing aquifer that flows through TRILLIUM. I wanted to ‘tell-a-story’ on top of those natural cycles. I had watched and learned from Nature while growing up on a farm in southern Ontario. Many city-dwelling, screen-addicts are so far removed from Nature’s generous gifts, they have lost the ability to ‘connect’ to that natural flow – at all.

Aside from Nature, I am very moved by thoughts and objects of, or about, beauty. Rachel Carson wrote – “when the mind is absorbed by beauty, those are the only hours when we really live.” – That is so true.

When we bring our attention to things of beauty, we are filled with a profound sense of gratitude that is never equalled by the frenetic ping-pong of daily living. Experiencing beauty, we find ourselves gliding on an awe-inspiring appreciation of the Wonderful. It suspends us in Time and Space.

Beauty is Truth and the Truth is Beautiful. Keats knew it. Ruskin knew it too. When we scoff and malign the beautiful, we belittle much more than the obvious. Cynics, skeptics, and those who relish the ugly or horrific, impoverish us all. Side-lining the beautiful is a downer. It makes us all petty and small-minded. Miserly even. – Why live like that when we have the power to CHOOSE?

I was very aware when crafting this story that I wanted both given elements – Nature & Beauty – ‘at play’.

Do you have any inside jokes with friends and/or family members that you like to sneak into your content?

I periodically insert family names for pets or loved ones, but affix them to different objects. As example, Jomo, Hazard, Folly and Quack or Cat have all popped up.

I have also re-told several amusing ‘family stories’ within the context of the novel only slightly altering them to better amuse or entertain readers.

What do you find is the hardest part of the writing process?

Letting go. I very much enjoy re-writing and re-structuring to make better sense of things, but I am well aware that at a certain point, I MUST move on and stop playing with words. (It’s like ‘playing with one’s food’. At a certain point, you’ve either got to eat what’s in front of you or throw it out … )

To counteract this ‘hold on’ tendency, I have learned to set strict targets and deadlines for myself. It is the best way to keep ‘on track’.

How long did it take you to write this book from the first idea to publication date?

I had the idea for this entangled rural family story over fifteen years ago. I wrote up a 15-page synopsis, drafted a detailed character list, spun out an opening chapter, then put the whole thing in my writing box.

At that time, I did not have the time or financial resources to under-take what I knew was going to be a big project.

By 2018, the necessary pre-conditions existed and I was able to sit and start. From February to October, I researched, wrote and edited for five days a week, Monday to Friday, from 10am to 6pm, with two small breaks and an hour for lunch. I then went to press at the end of the month with a very limited Artist First Edition of 100 copies. Those were published in Canada under my own private artist’s press label.

It was, in retrospect, a blistering speed to craft, edit and produce that 137,000-word historical fiction for publication. But, as mentioned, scheduling did keep me on track.

That’s not to say I didn’t make mistakes on route, I did. At the end, I rushed to publish without taking a breather away from the work. I am ashamed to say that that Author’s First Edition, published in late October 2018, is filled with typos. Those embarrassing mistakes were finally corrected in the American Amazon paperback and e-editions, first released in January of 2019. Somewhat ironically, that tiny Artist First Edition is now sought after by avid book collectors! Trust me, that goof, remains a tough one to live down. But, Live and Learn.

Above all, LEARN.

What advice do you have to other new authors?

See above. It is admirable to discipline yourself to ‘stick to a schedule’. But you MUST allow breathing space after the bulk of the writing is over. Take at least two weeks. A month is better.

Distance yourself from the work so that when you come back your eyes, ears and mind are fresh to do a proper final ‘read’.

Best advice: have another person proof your work. Take their constructive criticism and corrections in stride. Restrain the impatient ego.

Who do you think the biggest unexpected allies in writing a book are?

Strangely, the unexpected ally is the Self. People think that writers have this great luxury of lying around as they think and compose all day …

The truth is: writers are as pre-occupied with the necessities of earning a living as anyone else. Most writers must take other work in order to take care of their loved ones and themselves before they can take the time to write.

The luxury comes when you finally have some ‘alone time’.

After putting if off for months, even years, you finally get to have that much desired one-on-one conversation with Self.

In many ways, this experience is akin to catching up with an old friend you haven’t seen or heard from in years. Relish that alliance.

Who do you think the biggest unexpected enemies in writing a book are?

Time. Earning a living, and taking responsibility for the people and things in your life that need looking after, can easily become all consuming. If you do not have the time, you cannot write properly. If you want to write, you have to ‘take back’ time by having the money to buy it, and/or you have to step away, in part, from the joys and duties of being with the ones and things you love. A writer needs solitude IN time to write anything worthwhile. It is a love that demands your full attention.

What was your biggest inspiration?

My parents have inspired me throughout my entire life. Both were independent-minded, loving and curious individuals who gave much more than they took. My father was very disciplined about what he had to do on a daily basis. My mother was a delight-filled personality who intuitively understood the charm and reassuring, restorative value of a ‘good story’.

Both had lessons to teach about the Best Way to Live. I learned plenty from both. Their curiosity always inspired. Keep asking questions.

If you could send a letter back in time to yourself when you were first starting to write this book, what would it say?

Line up a good proof-reader to go over your ‘signed off’ manuscript. As much as you will resist, take a little time off before ‘going to press’. Make sure all your ducks are in a row before leaping over them. Otherwise, stick to your schedule, and tell an engaging and good story.

Why do you write?

I write to communicate with the greater Self that dwells within us all.

January 2020: "MORNNOVIN: The Way Of The Falling Star Book 1" by Alyssa Marie Bethancourt

Summary (Warning: Mild Spoilers):

Elves living in hiding. Humans oblivious to their continued existence. What could go wrong? The humans of Asrellion live under the false belief that they eliminated all elves in a genocidal war centuries ago until a prince encounters one in the forest and she saves his life. From that moment their lives are intertwined, even as she disappears and the human nations go to war. At least he is comforted by the dreams they share together in each other’s absence.

Seven years into the raging war between human nations, the prince becomes suspicious and discovers that humans are being manipulated – pitted against one another by a mysterious force. The elf princess too must face this same mysterious enemy. When reunited by a common threat, there is no time to dwell on the realization that they know each other’s worlds or that their dreams were shared.

But the world is so much more complicated when hidden siblings with language barriers emerge and necrophiliacs are watching.

Amidst the lore of this book and the implications of the mythical bond, lies a story of love and self discovery twisted by outside forces. As we follow our adventurers around the amazing world of Asrellion the reader witnesses a race war unfold.

Overall Reaction:

Holy Crap. I mentioned that I had previously met the author, but I had never before read anything she has written. I love this book and the world of Asrellion. Where’s Sir Peter Jackson?

Think: The Princess Bride meets The Lord Of The Rings (and The Hobbit) with more genocide balanced with artfully crafted dialogue for each individual character’s voice and way fewer song breaks.

The world of Asrellion has an attribute I will from here on out refer to in reviews as “other laws of physics.” Magic and other mythic properties are consistent and comfortable and don’t take on illogical cause and effect relationships. A reader can wander around and learn Asrellion in their own head as they choose and based on the MORNNOVIN fanfiction, I am glad to say it appears many are!

I love that all of the characters are deeply flawed in complex ways. Characters are irrational, emotional, arrogant, petty, in denial, self-serving, and some are extremely out of touch with the reality other characters around them are seeing. There’s also character growth. These flaws are chipped away at, little by little, so they morph and change, but never fully go away.

In regards to character presentation and point of view: I don’t call it head hopping and based on everything I’ve read, this doesn’t actually fall into the definition. One perspective per scene (from third person) is used to reveal limited information to the reader, even with an omniscient narrator and the perspective is always logical and clearly presented. This tool is used to follow intense emotions (example: we follow a character that leaves the room instead of staying to hear what another character says that’s painful for them to hear). I haven’t encountered this before and it made it possible to focus on emotional aspects of the story without having to use words to talk about the emotions.

Each kingdom of elves or humans has unique cultural practices that play out through dialogue, dress, and mind games between characters. Culture clashes and language barriers are constantly explored through observations and reactions unique to each character’s personality making each reaction feel genuine to a reader without ever feeling heavy handed.

Overall, I loved the story of war strategy, fighting an enemy, and how the author allowed adversity to exist beyond the main plot in numerous ways I can’t get into here without spoiling the book. If you love fantasy books about elves, humans, culture clashes and genocide this is probably the book for you.

LGBTQA?

Major characters are represented as having diverse relationship types. Absolutely belongs on any LGBTQA Fantasy Book list.

Grammar+

The few items I found were not noticeable enough to interrupt the flow of reading and are within the 1 error/10,000 word standard.

Twilight Zone Moment

Every book has one. Without going into detail or spoiling anything, there is a scene where a character shows up beaten to a pulp to execute a secret plan to take down an enemy, but I was very confused as to how the character got beat up.

Learn More About The Author

To learn more about Alyssa Marie Bethancourt check out her interview as part of the 2020 Author Interview Series. To keep up with future projects, you can visit her website and follow her on Twitter here. You can buy the book direct from the publisher here or on Amazon here. There is a Kickstarter for the second book, Trajelon: The Way Of The Falling Star Book 2.

Upcoming Reviews: February 2020

Welcome to February 2020! This list was very delayed (I apologize) and not all of these books will have live tweet reviews. That said, you can expect a continuation of the Author Interview Series.

The February 2020 Books Are:

Trillium” By ML Holton (Full Review Coming Soon; Author Interview)

But I Am Here” by Pamela Bettencourt (Live Tweet Review Coming Soon; Full Review Coming Soon)

Worship Me” by Craig Stewart (Live Tweet Review Coming Soon; Full Review Coming Soon; Author Interview Coming Soon)

Wanting Peace” by Alaine Greyson (Live Tweet Review Coming Soon; Full Review Coming Soon)

The Schedule Moving Forward from today (14 February 2020):
Author Interviews will be posted on Fridays (with occasional skips)
Short Story Announcements every other Monday
Reviews on Wednesdays and on Fridays if there is not an Author Interview already scheduled until we are back on schedule.

Once we are back on schedule, I will to return to full reviews being posted on Wednesdays only.

If you are interested in submitting your book for future review, I am currently booked through end of July 2020 and am currently looking for books starting with August 2020. Check out the schedule of themed/open-themed months here. Due to this backlog, the calls on Twitter have been temporarily discontinued until further notice.

Requirements for submission:

  • Print Edition Must Be Available (preferably paperback)
  • Under $20 (USD) – I buy your book like everyone else!
  • Not Erotica or “The Serbian Film” Level Gore/Sex/Violence – for more details check here.

You can send me an e-mail with the subject line: Only a Hippopotamus Will Do (e-mails not including this subject will be ignored)

In this e-mail include:

  • a link to where I can purchase your book.
  • a brief introduction to yourself
  • a link to your Twitter and/or personal website (if applicable).

IF you are interested in sending me a copy of your book, please send me an e-mail with the subject line: The Buffalo Seem Fine to Me 

Author Interview Series 2020: Alyssa Marie Bethancourt

I first met Alyssa in 2011 while living in Pittsburgh, Pennsylvania. At the time I could not fathom the fantasy world living within her brain that I would read from the pages of MORNNOVIN 9 years later and it was not a primary topic of our conversation. Over first first few of those 9 years Alyssa’s life turned upside-down and inside-out as I watched an acquaintance go through what must have been one of the most difficult periods of her life. Like a phoenix, Alyssa rose up. In my opinion, she is living proof that the dream of publishing a book can come true even in the most difficult of circumstances with the support of a community and, most of all, if you believe in yourself.

You can visit Alyssa Bethancourt’s website here to keep up to date on her current projects and you can purchase your copy of MORNNOVIN here.

  1. What are a few of your favorite things? How did these influence your book?

“Elves, swords, trees, dogs, music, wordplay, water, and the freedom to be odd. I feel like, for the most part, my interest in these things is almost immediately evident to anyone who reads my writing. MORNNOVIN doesn’t have as many dogs in it as I would like, though. I could also say that indirectly, through the writing process, the book was shaped on a molecular level by my exposure (or lack of) to these things as the work progressed. And many scenes only came together because of the music I was listening to as I brought them to life.”

  1. Do you have any inside jokes with friends and/or family members that you like to sneak into your content?

“Eh, not really? There is exactly one inside joke in MORNNOVIN, but the only person who understood it has since made a dramatically terrible exit from my life. Perhaps a sign that I’d better write to please myself alone from now on. At the risk of sounding maudlin, writing is a solitary endeavor and I’ve always done it in spite of the people around me, (especially family,) not with or for them. I do have some support now in the form of a writing critique group and a wonderful spouse who is my biggest fan, but that’s a very recent development.” 

  1. What do you find is the hardest part of the writing process?

“To quote writer Dorothy Parker, “I hate writing. I love having written.” 

This probably sounds boring, but the hardest part of the writing process is literally just figuring out and writing down what happens. I mean, broad strokes are fine, but then you have to sit in front of the blank page and answer the question of how to show that taking place, scene after scene, for an entire novel. Elf princess saves the world from certain doom, but like, how? Where? What does she do? What are the scenes you have to write? She has to get from here to there, but how much of that do you talk about? Do you talk about the actual steps? (No, obviously not.) How much do you describe? How much do you cut away from because it’s unnecessary? Just thinking about this is giving me Book Three stress. lol”

  1. How long did it take you to write this book from the first idea to publication date?

“There are two answers to this question.

The short answer is that I scribbled down the first exploratory scenes sometime mid-2008, and I wrote the very last scene of the final chapter on December 16th, 2014. So 6-and-a half-ish years to write, then I took some time off before editing, edited for a year, queried for a while, and finally published last year in 2019. Eleven years. Damn.

The longer answer is that I started writing the very first stories about Loríen when I was ten years old, back in 1989. It didn’t take long for those stories to become a novel; I think I finished the very first version of proto-MORNNOVIN (it had a different name back then, but the broad strokes were the same) within a year or so. It was awful, naturally. On top of that, I lost my only copy. I’d rewritten it completely by the time I was sixteen. That version, too, was embarrassing, but by that point I was deeply committed to these characters and their struggles. I rewrote it again in my early twenties. That draft sat in a chest in my house for more than a decade until I gave it one final chance to be the sweeping epic I knew it could be, when I started working on the now-published rewrite in 2008. So… from first inception in 1989 to publication in 2019? That’s thirty years. I don’t know if that’s a wow or a yikes.”

  1. What advice do you have to other new authors?

“Oh, I think other people have already said just about everything that’s worth listening to on the subject of writing. I doubt I have anything to add other than listen to those guys, then do your own thing. But above all, you can’t be a writer if you don’t write, so write. On the subject of publishing? Like, being an author? Shit, I still don’t know anything there. The only advice I can really offer is to find your own path and try not to let the fear paralyze you.”

  1. Who do you think the biggest unexpected allies in writing a book are?

“All of the authors of all of the stories you’ve ever read in your life – and I include fanfiction authors in this. You can attend all the creative writing courses in the world, but until you’ve really absorbed a broad spectrum of what other storytellers have tried out in the wild, you can’t internalize the reality of what works and what doesn’t. And you should always be reading more, always trying to learn something new either about writing, or about people and the world, or about who you are as a writer/reader. Authors who say they never read are not to be trusted and certainly not to be taken seriously. There’s no reason to pretend you’re inventing the craft when every storyteller from the beginning of time is out there ready to be your guide through the darkness.”

  1. Who do you think the biggest unexpected enemies in writing a book are?

“That’s easy: 1. yourself, and 2. everyone else.”

  1. What was your biggest inspiration?

“Without question, J.R.R. Tolkien. I wanted to write my own fantasy stories from the very first time my mom read THE HOBBIT aloud to me, when I was a toddler.”

  1. If you could send a letter back in time to yourself when you were first starting to write this book, what would it say?

“Hm. I may be a fantasy author, but I’m also a sci-fi reader. I know better than to try to affect the timeline. The most I could safely say to Past Me would be something generic like, “Believe in your words and don’t give up,” because it’s been a hell of a rocky road getting here.”

  1. Why do you write? (Optional)

“Because I have to. Sharks have to keep swimming, and writers have to keep writing. 

Honestly? I just can’t imagine not writing. There have been several points in my life where I’ve melodramatically declared that I’m never writing again, and it never sticks. I could just as easily declare that I’m not going to eat anymore, or breathe, or have red blood cells. I don’t get to decide any of that. I’m a writer, and that’s just how it is. I write because I need to.”

What does everyone do with these stupid referral links and codes? Why not experiment with manipulating search engines.

Haskell is on a heating pad under a blanket, hiding from the Montana winter

Like everyone else on this planet on the internet involved in the modern economy, I have started accumulating referral links and codes for products I actually use. I am left with a giant question: WHAT THE HECK AM I SUPPOSED TO DO WITH THESE?

In my opinion, referral links are used to feast upon social capital and provide some monetary reward in exchange – primarily in reducing the cost of products to the person sharing the link.

Fine.

I have such mixed feelings about social marketing. As indie authors and reviewers, we rely on social marketing. I decided to devise an experiment. In many ways, this post is about passive social marketing. Happy to explain – someone wants to try out a product and gets on a search engine looking for a referral link. By searching for a referral link they end up on a blog. By ending up on that blog, they click around a little bit more and discover they want to buy someone’s book thanks to a review I’ve written (at least, that’s the goal).

So here’s the referral link post. I will update it occasionally. It will contain referral links (not affiliate links – there is a difference). These are all products I (or my partner) am actively using and am happy to answer questions about if you ask me directly – Twitter will get you the fastest response. I will not talk about them otherwise – I am not an “influencer”. DO NOT TAG THE BRAND. As a friendly reminder, I talk about books and I’m sticking to that. You can use these links with or without talking to me first. Once I stop using these products, I will remove the links.

If this doesn’t seem to benefit anyone (including authors – please let me know if you see no increase in sales) I will edit it with an update on what I learned. The fun thing about WordPress is that I have access to analytics tools that give me the ability to look at insights specific to this post.

If this does seem to benefit everyone in getting more books sold and increasing overall website traffic, I will start requesting additional referral links and codes from other indie authors and reviewers. Same rules as above will apply.

Referral Links/Codes:

Hum Nutrition Referral Code: 1E4424
Details – $10 off first order + $10 off next order for the referrer

ClassPass Referral Link: http://class.ps/ncJRh
Details – discounted first month of membership (it is an auto-renewing subscription) + $30 off next month of membership for referrer (based on my current geographic location)

Phlur Referral Link: http://fbuy.me/v/laura_6621
Details – $5 off first order + $10 off next order for the referrer (I have opinions on this one)

Basic Man Referral Link: https://www.getbasic.com/refer/Jacob-HXEXXQSD
Details – $10 off the first order + $10 off next order for the referrer (okay, this one is actually my partner’s subscription)

Tesla Referral Link: https://www.tesla.com/referral/jacob11641
Details – $250 off of a solar panel or 1,000 miles of free supercharging. (If ANYONE uses this one, I will be flummoxed)

ThredUP Referral Link: http://www.thredup.com/r/HPIG6E
Details – $10 off first purchase + $10 off next purchase for referrer

I don’t have any more referral links to add between the two of us, so I need your referral codes for products you actively use. I do not want to list more than 10 codes/links to start, so I have 4 open spots.

Preference is given to authors I have previously worked with or am working with in the immediate future.

Short Story Announcement – February 10, 2020

Image Source: Brooke Campbell Unspash

The first version of When A Demon Comes To Dine is live on Coffee House Writers. Head on over there to read it.

I mentioned on Twitter recently that I will be posting short stories biweekly with the goal of releasing a collection of short stories at the end of the current year (December 2020). The collection will include edited versions of these stories and other previously unreleased stories.

As a general content warning to my readers: in the next year you will see fictional stories addressing childhood trauma, mental health, suicide, body horror, LGBTQA issues, assault, medical horror, unhealthy relationship dynamics, death, dead bodies, loss of bodily autonomy at the hands of family members, and maybe I’ll find a happy ending somewhere in one of those. I’m not good at happy endings. I’m working on itpromise.

If you’re wondering, I have found 3 things I plan to change in this story before publishing in the collection. I’m curious what feedback others have.