February 2020: “Trillium” by Margaret Lindsay Holton

Summary (Caution – Mild Spoilers):

Margaret Holton’s “Trillium” is a story of how three families settle in the Beamsville, Ontario area. The first family begins with Colonel Thomas Hartford and his land grant after the end of the North American Theater of the Seven Years War. These original colonizers eventually chase the native population away, bringing their European culture and farming techniques. With this, they also bring European plants, and with each new wave of immigrants, the crops change ever so slightly.

Skip ahead 80 years. The next immigrant introduced is 15-year-old Francesco “Franco” Di Angelo. He is a hard-working Italian that comes to the region with the dream of working the land and buying a piece of his own. He is passionate about agriculture and family. It takes some time to build up his fortune, and the reader watches through the eyes of a laborer as the Niagara region experiences the earliest stages of its infrastructural revolution. Eventually, Franco joins forces with Thomas Hartford’s descendent (also named Thomas Hartford), and their families become intertwined.

Skip ahead another 50 years, and our third immigrant is introduced. Paddy O’Sullivan is an Irish immigrant looking for his big break, and he gets it. He manages to purchase unused land and other properties and leases adjacent land to the Hartford Farm on a 99-year lease.

This book follows the Hartford family’s farm through the generations starting in 1759 and closing in 2001. The Hartfords, Di Angelos, and O’Sullivans cross-pollinate through trials and tribulations of agricultural life. “Trillium” follows the constant battle between Capitalism and Traditionalism, with the secret ingredient of remembering your roots.

Overall Reaction:

I find the story of a multigenerational farm and its growth fascinating. I think the book has potential. There’s murder, intrigue, incest, affairs, and mystery. There are very human characters that make mistakes and ignore the faults of others. There is an alluring family vendetta that is so vile and gross it makes the reader feel soiled.

One of the recurring themes I enjoyed was that of building renovation and redecorating overtime. The additions of indoor plumbing to a farmhouse or new double pane windows to keep drafts out involve the reader over time. Additionally, this is where I noticed the struggle between capitalism and traditionalism the carried out in the changing of home furnishings and preservation of heirlooms. Additional details, such as the effects of the passage of time on buildings, molding statues, and chipping paint, provided an elegant backdrop to the impact of neglect in home life. How the home evolved over 250 years never left me wanting for detail.

In historical fiction, great liberties can be taken with many things, but not dates and facts. Many historical fiction books have bibliographies at the end of them from the fact-checking process. With both of these factors in mind, the structure of a historical fiction book should not necessitate a separate written timeline to be made and math to be done on the part of the reader to place when different events are occurring. This is particularly troublesome when there are inconsistencies in the dates of events.

The majority of the action occurs late in the book and focuses on a very privileged set of characters. I connected most with this famiglia that seemed to get left behind even though they did a lot of the work. The decreasing focus resolves to include a few of the family members in the privileged characters’ shenanigans. By far, this jovial, mostly virtue driven family, brought a smile to my face more often than not.

I had a hard time suspending disbelief. This difficulty was due to historical inaccuracies, changing the referred names of characters without context as to why a character would use that name for someone, and misnaming of characters present in a scene. Additionally, I experienced cognitive dissonance with my own life experiences, having grown up and worked in and around agricultural communities for the majority of my life.

Let me explain the cognitive dissonance: I grew up in small-town semi-rural America. My exposure to wineries came in my late 20s in rural California and Montana. Rustic and modest is how I’d describe the ones I’ve seen, but I’ve never been to Napa Valley. I spent the earliest part of my life fresh out of undergrad in the agriculture and land surveying industries in different parts of the United States. I never saw the opulence described in this book. Even the best-managed multigenerational farms of the American side of the Great Lakes are scrappy as hell trying to keep everything together. To me, the money from material objects over time mentioned in the book didn’t add up to buying in to social clubs or status. To check other inconsistencies, my mom worked on an “organic” by the 1970s definition co-op farm, so I gave her a call and ran my dissonance by her. While this helped by explaining how definitions changed, it did bring a lot of my conflict back to the fact-checking concern.

I recognize that this is different from rural Canada, though the Niagara region seems to have moderate pockets of rural life. [Addendum for clarification: the following is from my own life and is not from the book – this is part of my own cognitive dissonance and is part of me explaining why I do not connect with the characters] I don’t know how often in rural Canada when over at the neighbor’s house they’ll tell you the name of the cow you’re eating at a barbecue. Perhaps I don’t possess the frame of mind to connect with the privilege these characters have with their multi-million dollar lifestyles.

Overall, I greatly enjoyed the premise of the story and some of the characters, but found myself unable to be involved in the story as I was constantly jarred away and unable to suspend disbelief. That said, other readers may not share this experience.

LGBTQA+

While there are major characters that are LGBTQA+, I would not recommend this book for booklists looking for positive, accurate representation as these characters perpetuate what the Advocate’s Tracy E. Gilchrist and Daniel Reynolds describe as “17 LGBT Tropes Hollywood Needs to Retire“. For further explanation, GLAAD has been fighting statistically inaccurate misrepresentation in storytelling for some time. As a member of this community it is my duty to include a content warning. This book contains the following potentially harmful tropes:

  • pedophilia & predation tropes related to repression
  • sex, drugs & hedonism
  • “bury your queers”
  • “the depraved homosexual”
  • “the sissy villain”
  • “the bi-erasing bisexual”
  • “the promiscuous queer”

Grammar & Punctuation

There were issues with grammar and punctuation that, while interrupting to the reading experience, could easily be corrected with editing software such as Grammarly, Hemingway, or Fictionary.

Twilight Zone Moments

The structure of the book jumps around without specifying dates, while using highly specific details lending themselves to dates leading to inconsistencies and confusion. The examples I’m going to use is regarding a car that a character buys and a disappearing character.

The Mazda RX7 came out in 1978 and someone could get one in Canada if you knew a guy who knew a guy, if you drove across the border into the United States. This purchase is mentioned without the year. Then the story changes to a different scene years before this car was available without mentioning the year, causing disorientation.

A character disappears and is never heard from again after her brother returns from WWII and takes over the family farm. It is unknown if she outlives her brother, but I would have imagined that she would have received some part of his will. Right? Perhaps I have a better relationship with my siblings.

Want To Read More About The Author?
You can read my interview with Margaret Lindsay Holton here. You can purchase the book here. Follow the book on Twitter here.

January 2020: “The Engineer: A Chronicles of Actaeon Story” by Darran M Handshaw

Summary (Caution – Mild Spoilers Balanced with Extreme Vagueness):
Actaeon of Shore comes to the Pyramid in search of his future. He hopes to establish his profession as one of importance to his people because he sees its value. But others don’t – that’s the first hurdle. What is a capital “E” Engineer? Actaeon must prove what that is to the aristocracy to earn his place. And thus, our hero begins this life journey. The reader tags along as he defeats various threats to the great capitol city, houses refugees, prevents invasions, and discovers the potential good and evil technology brings to the world of Redemption.

During these many adventures Actaeon grows from a young man without ties to the owner of his own workshop. He takes on apprentices and employees, extending the benefit of his knowledge. He forges alliances of diplomatic importance by association with his homeland as a consequence of his own good humor and drive for success rather than political gain.

More importantly, Actaeon grows from a young man into a mature adult that is in love with strong values that were not shaped, nor present at the beginning of the book. He falls in love and finds that his entire life shifts as he has to rebalance his own priorities on multiple occasions to better suit these new circumstances. One this is certain: every action is not without consequence.

Overall Response:
First off, I need to address 2 pachyderms currently hanging out with me while I write this review: LitRPG and pacing. Let’s hand pacing the first peanut. This is a long, slow paced book. The language and pacing is similar to that of the Charles Dickens serial story telling style. This is not for everyone. It may frustrate some readers, though I think it works well for a book that needs slow, deliberate pacing and language that detaches a reader from the present day. That said, readers should go into the book knowing it is a slow paced 600 pages broken up into short segments filled with every aspect of life.

Next peanut – the book is LitRPG. As far as I’m aware, this is the first LitRPG book I’ve read. I had to read up on the genre, and previously I boycotted reading Ready Player One because the concept annoyed me. I read more and as it turns out, I definitely did this with NeverWinter Nights as a preteen. If I had skipped the forward, I would have never thought of the book as a “video game” and instead thought of it as fantasy. The details and mechanics of Redemption are built upon in such a way that I would never have known or had to have looked for more information.

The pacing works because this is a modern bildungsroman for a mature audience. The entire overarching story is Actaeon’s life and character growth as he develops his profession and falls in love – then learns what both of those things mean. Life changes and character growth don’t happen overnight, so the speed is realistic. I found myself having epiphanies with the Engineer as he watched his inventions be used for good and evil. There are moments where the most painful tragedy in a scene is the loss of innocence a young adult must face as a result of their own naivety. Who can’t relate to that?

Handshaw approaches serious topics including neurodiversity, politics, religion, love and death with a sense of humor and the friendly detachment of a fictional setting. ‘The Engineer’ is a deep and thought provoking read.

On a separate note, I found myself in awe when I realized that this book truly is a love letter. I admit it’s really romantic.

Grammar:
While at times confusing or frustratingly passive, the pace is purposeful. The book meets or exceeds the <1 error/10,000 word industry standard.

LGBTQA+:
There were no major characters that overtly fell into this category. That said, there is distinct discussion of “otherness” and being separated and outcasted. Additionally, there is a touching coming out scene for a character experiencing otherness and revealing this to someone they love and trust. Based on the presence of a coming out scene, otherness, and constant challenging of what gender means, I think this book lands potential inclusion. I would love to hear what others think.

Twilight Zone Moment:
Every book has at least one. There are a couple strange religious groups that show up in the background and some loose ends from super minor characters that disappear. These aren’t necessarily Twilight Zone Moments as much odd details that melt into the background without knowing more about the game the book is based on.

Want to know more about the author?
To read more by Darran M Handshaw’s author page on Amazon or buy the book here. You can follow his new writing and wit on Twitter as well. A man dedicated to his engineering and family he did share with me that his wife, Stefanie Handshaw, has a book of poetry and photography recently released called “My Ephemeral Light” also available here.

Author Interview Series 2020: Craig Stewart

Craig Stewart
Craig Stewart’s Author Photo

I’m excited to introduce another Canadian author, Craig Stewart! With a background as a filmmaker and author, he takes a very visual approach to the horror genre and won the New Apple Literary Award of Excellence for Horror in 2018 for his book “Worship Me”. The following interview questions focus on this book – one that I will be reviewing soon. I hope you enjoy these answers as much as I have. These answers are direct quotes. If you would like more information on his books, you can view all of those available for purchase through amazon here. Additionally, you can visit their author website at www.everythingcraigstewart.com.

What are a few of your favorite things? How did these influence Worship Me?

Whiskers on kittens, but that has very little to do with Worship Me. I guess, if I’m being honest, Worship Me has less to do with my favorite things than it does my least favorite things. Like most horror stories, it’s meant to purge the demons from our psyche, and the demons in Worship Me have to do with faith vs. flesh; it started with me questioning: how can someone reconcile spiritual belief with the bloody, bodily reality of being alive? And so, the setting became a small country church, like the one I was taken to as a child, and the invading force became a powerful, ancient entity that could reduce people to their bowels and bones. Through the trials of the characters, I tried to make this book an exploration of what living and dying really is; something I had been struggling with at the time, having been going through my own grieving process after the death of my sister. Really, this book wouldn’t have been written if I didn’t have that sorrow within me. It needed out, so I let it out. Otherwise, maybe it really would have been about whiskers and kittens.

Do you have any inside jokes with friends and/or family members that you like to sneak into your content?

I love inside jokes. There’s not as many as I’d like there to be in Worship Me, due to its tone, however, the layout of the church in the book is based off the real St. Paul’s United Church that I attended as a child. And, I always try to find a way to fit in the name of my high school drama teacher, who was the first person to really take a chance on me, creatively.

What do you find is the hardest part of the writing process?

Trying not to hate the world for not letting you just sit down and write. I often find myself in the middle of making dinner, angry at my food, because I just had a brilliant idea (or so I think at the time), and this food, sizzling away, mocking me with its little pops and fizzes, is keeping me from doing what I need to do. So, having an understanding that I need to eat, I guess that’s what I’m saying is the hardest.

How long did it take you to write Worship Me from the first idea to publication date?

Wow, great question. In total I’d say about seven years from its original conception. Originally, I wrote it as a screenplay and adapted the book from that.

What advice do you have to new authors?

Most likely, everyone is going to say “No.” In order to survive those rejections, make sure what you write is something you really believe in. Don’t write for someone else. Just write honestly, and then hope someone cares. Maybe someone will!

Who do you think the biggest unexpected allies in writing a book are?

Fellow writers. There’s a caricature out there of ‘the writer’ as a jealous, lonely narcissist – that, of course, exists – but, for the most part, all of the writers I have met have been brilliant, beautiful and generous people. They know the struggles and are more than willing to reach down and help to pull you back up. They might even dust you off, if you’re lucky.

Who do you think the biggest unexpected enemies in writing a book are?

Probably yourself. Though, maybe that’s not terribly unexpected. It’s hard to be heard in these loud times, and a lot of writers think, “Well, if I haven’t sold a million copies yet, then it’s my own failing, I’m just no good, like I always feared…Guess I’ll go back to canning tomatoes.” Only to realize that robots can tomatoes now (unless they’re genetically modified tomatoes – those ones can themselves). Anyway, chances are, your work is just getting lost in the cacophony of the modern age. The real truth is that people aren’t reading as much as they used to for a plethora of reasons. So, you may never sell a million copies. Don’t let that be your motivation. Again, write the book you’d want to read, then your biggest enemy won’t have anything to say.

What was your biggest inspiration?

Well, Worship Me, as mentioned earlier, was born out of grief, and my long journey losing my faith. Really, all the horror in the book was inspired by that painful process, which should help to explain why the book is so filled with pain. In terms of influences, I’ve always been a hardcore Clive Barker enthusiast. He’s the real reason I fell in love with writing, and with monsters. Romero’s Night of the Living Dead filled my head with nightmares as a childand sometimes as an adult. I always loved the claustrophobic storytelling with all those characters stuck together in a little house. That, certainly, influenced Worship Me. King’s The Mist, for sure.

If you could send a letter back in time to yourself when you were first starting to write Worship Me, what would it say?

Hi Craig, this is Craig. You invent time travel in the future. Also, don’t be afraid to show your heart – they’re much easier to rip out that way. And that’s what this story’s about.

Why do you write?

Like most authors, I write out of necessity. On the selfish side, the act of writing just makes my mind feel better – it helps sort out the chaos. On the slightly less selfish side, I can remember being a young gay kid growing up in a small town and feeling awkward and out of place… then, I found the horror section of the local video store, and it was filled with angsty stories of other outcasts that tore through heteronormativity with chainsaws and butcher knives. I felt scared, because it was unearthing feelings that I didn’t even know I had. I felt understood; I felt at home. I’d like to try to create works that could be a home for other outcasts.

New Short Story: The Disappearance of Lula Mae Darling

Image: Thomas Fields of Unspash https://unsplash.com/photos/CHmJOPQ77gU

Hey all! As many of you know, or if you haven’t guessed already based on my author bio, I’m from Middle of Nowhere Atlantic Coastal Region of the Southern United States. I’m married to a New Englander or ,”Yankee”. I grew up surrounded by unique stereotypes, and I love exploring the roles of stereotypes in American culture. If you like this kind of story, please let me know and I will write more like it.

Without saying anything more, I hope you enjoy my story “The Disappearance Of Lula Mae Darling” published today on Coffee House Writers!

Author Interview Series 2020: Margaret Lindsay Holton

I had the pleasure of being introduced to M. Lindsay Holton in October 2019 when she reached out to announce that with her book Trillium she returns to the indie publishing world after a 20 year hiatus. It has been such a pleasure emailing back and forth with this incredible author and learning from her responses to these questions. I haven’t even read her book yet, and I am really excited to do so now!

As someone with the future hope of writing a book one day, these interview questions were chosen for the purpose of learning from those that have more knowledge than me. ML Holton is the most accomplished author I have interviewed so far and I hope everyone basks in the wealth of experience demonstrated by her responses as much as I have. All of these responses are direct quotes.

For more information on and to purchase her other books, please take a moment to check out her Amazon Author Page, and for additional information you can visit her Artist Blog, Twitter Fan Page, and Facebook Fan Page.

What are a few of your favorite things? How did these influence your book?

I love what Nature offers us in all its daily and seasonal cycles of birth, growth, decay and death. As humans, we have invented so many ‘structures’ – social, and mechanical – to better control these natural rhythms, when, really, immersion is the best and most practical teacher. We are a part of Nature, not apart from it.

This understanding became the quiet flowing aquifer that flows through TRILLIUM. I wanted to ‘tell-a-story’ on top of those natural cycles. I had watched and learned from Nature while growing up on a farm in southern Ontario. Many city-dwelling, screen-addicts are so far removed from Nature’s generous gifts, they have lost the ability to ‘connect’ to that natural flow – at all.

Aside from Nature, I am very moved by thoughts and objects of, or about, beauty. Rachel Carson wrote – “when the mind is absorbed by beauty, those are the only hours when we really live.” – That is so true.

When we bring our attention to things of beauty, we are filled with a profound sense of gratitude that is never equalled by the frenetic ping-pong of daily living. Experiencing beauty, we find ourselves gliding on an awe-inspiring appreciation of the Wonderful. It suspends us in Time and Space.

Beauty is Truth and the Truth is Beautiful. Keats knew it. Ruskin knew it too. When we scoff and malign the beautiful, we belittle much more than the obvious. Cynics, skeptics, and those who relish the ugly or horrific, impoverish us all. Side-lining the beautiful is a downer. It makes us all petty and small-minded. Miserly even. – Why live like that when we have the power to CHOOSE?

I was very aware when crafting this story that I wanted both given elements – Nature & Beauty – ‘at play’.

Do you have any inside jokes with friends and/or family members that you like to sneak into your content?

I periodically insert family names for pets or loved ones, but affix them to different objects. As example, Jomo, Hazard, Folly and Quack or Cat have all popped up.

I have also re-told several amusing ‘family stories’ within the context of the novel only slightly altering them to better amuse or entertain readers.

What do you find is the hardest part of the writing process?

Letting go. I very much enjoy re-writing and re-structuring to make better sense of things, but I am well aware that at a certain point, I MUST move on and stop playing with words. (It’s like ‘playing with one’s food’. At a certain point, you’ve either got to eat what’s in front of you or throw it out … )

To counteract this ‘hold on’ tendency, I have learned to set strict targets and deadlines for myself. It is the best way to keep ‘on track’.

How long did it take you to write this book from the first idea to publication date?

I had the idea for this entangled rural family story over fifteen years ago. I wrote up a 15-page synopsis, drafted a detailed character list, spun out an opening chapter, then put the whole thing in my writing box.

At that time, I did not have the time or financial resources to under-take what I knew was going to be a big project.

By 2018, the necessary pre-conditions existed and I was able to sit and start. From February to October, I researched, wrote and edited for five days a week, Monday to Friday, from 10am to 6pm, with two small breaks and an hour for lunch. I then went to press at the end of the month with a very limited Artist First Edition of 100 copies. Those were published in Canada under my own private artist’s press label.

It was, in retrospect, a blistering speed to craft, edit and produce that 137,000-word historical fiction for publication. But, as mentioned, scheduling did keep me on track.

That’s not to say I didn’t make mistakes on route, I did. At the end, I rushed to publish without taking a breather away from the work. I am ashamed to say that that Author’s First Edition, published in late October 2018, is filled with typos. Those embarrassing mistakes were finally corrected in the American Amazon paperback and e-editions, first released in January of 2019. Somewhat ironically, that tiny Artist First Edition is now sought after by avid book collectors! Trust me, that goof, remains a tough one to live down. But, Live and Learn.

Above all, LEARN.

What advice do you have to other new authors?

See above. It is admirable to discipline yourself to ‘stick to a schedule’. But you MUST allow breathing space after the bulk of the writing is over. Take at least two weeks. A month is better.

Distance yourself from the work so that when you come back your eyes, ears and mind are fresh to do a proper final ‘read’.

Best advice: have another person proof your work. Take their constructive criticism and corrections in stride. Restrain the impatient ego.

Who do you think the biggest unexpected allies in writing a book are?

Strangely, the unexpected ally is the Self. People think that writers have this great luxury of lying around as they think and compose all day …

The truth is: writers are as pre-occupied with the necessities of earning a living as anyone else. Most writers must take other work in order to take care of their loved ones and themselves before they can take the time to write.

The luxury comes when you finally have some ‘alone time’.

After putting if off for months, even years, you finally get to have that much desired one-on-one conversation with Self.

In many ways, this experience is akin to catching up with an old friend you haven’t seen or heard from in years. Relish that alliance.

Who do you think the biggest unexpected enemies in writing a book are?

Time. Earning a living, and taking responsibility for the people and things in your life that need looking after, can easily become all consuming. If you do not have the time, you cannot write properly. If you want to write, you have to ‘take back’ time by having the money to buy it, and/or you have to step away, in part, from the joys and duties of being with the ones and things you love. A writer needs solitude IN time to write anything worthwhile. It is a love that demands your full attention.

What was your biggest inspiration?

My parents have inspired me throughout my entire life. Both were independent-minded, loving and curious individuals who gave much more than they took. My father was very disciplined about what he had to do on a daily basis. My mother was a delight-filled personality who intuitively understood the charm and reassuring, restorative value of a ‘good story’.

Both had lessons to teach about the Best Way to Live. I learned plenty from both. Their curiosity always inspired. Keep asking questions.

If you could send a letter back in time to yourself when you were first starting to write this book, what would it say?

Line up a good proof-reader to go over your ‘signed off’ manuscript. As much as you will resist, take a little time off before ‘going to press’. Make sure all your ducks are in a row before leaping over them. Otherwise, stick to your schedule, and tell an engaging and good story.

Why do you write?

I write to communicate with the greater Self that dwells within us all.

January 2020: “MORNNOVIN: The Way Of The Falling Star Book 1” by Alyssa Marie Bethancourt

Summary (Warning: Mild Spoilers):

Elves living in hiding. Humans oblivious to their continued existence. What could go wrong? The humans of Asrellion live under the false belief that they eliminated all elves in a genocidal war centuries ago until a prince encounters one in the forest and she saves his life. From that moment their lives are intertwined, even as she disappears and the human nations go to war. At least he is comforted by the dreams they share together in each other’s absence.

Seven years into the raging war between human nations, the prince becomes suspicious and discovers that humans are being manipulated – pitted against one another by a mysterious force. The elf princess too must face this same mysterious enemy. When reunited by a common threat, there is no time to dwell on the realization that they know each other’s worlds or that their dreams were shared.

But the world is so much more complicated when hidden siblings with language barriers emerge and necrophiliacs are watching.

Amidst the lore of this book and the implications of the mythical bond, lies a story of love and self discovery twisted by outside forces. As we follow our adventurers around the amazing world of Asrellion the reader witnesses a race war unfold.

Overall Reaction:

Holy Crap. I mentioned that I had previously met the author, but I had never before read anything she has written. I love this book and the world of Asrellion. Where’s Sir Peter Jackson?

Think: The Princess Bride meets The Lord Of The Rings (and The Hobbit) with more genocide balanced with artfully crafted dialogue for each individual character’s voice and way fewer song breaks.

The world of Asrellion has an attribute I will from here on out refer to in reviews as “other laws of physics.” Magic and other mythic properties are consistent and comfortable and don’t take on illogical cause and effect relationships. A reader can wander around and learn Asrellion in their own head as they choose and based on the MORNNOVIN fanfiction, I am glad to say it appears many are!

I love that all of the characters are deeply flawed in complex ways. Characters are irrational, emotional, arrogant, petty, in denial, self-serving, and some are extremely out of touch with the reality other characters around them are seeing. There’s also character growth. These flaws are chipped away at, little by little, so they morph and change, but never fully go away.

In regards to character presentation and point of view: I don’t call it head hopping and based on everything I’ve read, this doesn’t actually fall into the definition. One perspective per scene (from third person) is used to reveal limited information to the reader, even with an omniscient narrator and the perspective is always logical and clearly presented. This tool is used to follow intense emotions (example: we follow a character that leaves the room instead of staying to hear what another character says that’s painful for them to hear). I haven’t encountered this before and it made it possible to focus on emotional aspects of the story without having to use words to talk about the emotions.

Each kingdom of elves or humans has unique cultural practices that play out through dialogue, dress, and mind games between characters. Culture clashes and language barriers are constantly explored through observations and reactions unique to each character’s personality making each reaction feel genuine to a reader without ever feeling heavy handed.

Overall, I loved the story of war strategy, fighting an enemy, and how the author allowed adversity to exist beyond the main plot in numerous ways I can’t get into here without spoiling the book. If you love fantasy books about elves, humans, culture clashes and genocide this is probably the book for you.

LGBTQA?

Major characters are represented as having diverse relationship types. Absolutely belongs on any LGBTQA Fantasy Book list.

Grammar+

The few items I found were not noticeable enough to interrupt the flow of reading and are within the 1 error/10,000 word standard.

Twilight Zone Moment

Every book has one. Without going into detail or spoiling anything, there is a scene where a character shows up beaten to a pulp to execute a secret plan to take down an enemy, but I was very confused as to how the character got beat up.

Learn More About The Author

To learn more about Alyssa Marie Bethancourt check out her interview as part of the 2020 Author Interview Series. To keep up with future projects, you can visit her website and follow her on Twitter here. You can buy the book direct from the publisher here or on Amazon here. There is a Kickstarter for the second book, Trajelon: The Way Of The Falling Star Book 2.

Upcoming Reviews: March 2020

Welcome to March 2020! It’s been a crazy year so far and I want to announce the books you can look forward to (though I’m still working through January and February 2020’s reviews).

Death Doll” By Brian P White (Live Tweet Review Coming Soon; Full Review Coming Soon)
Apex Five” by Sarah Katz (Different from the previous Sarah Katz) (Live Tweet Review Coming Soon; Full Review Coming Soon)
First Magyc: Guardians of the Path” by Nicole DragonBeck (Live Tweet Review Coming Soon; Full Review Coming Soon)
Ambrosia” by Madison Wheatley (Live Tweet Review Coming Soon; Full Review Coming Soon)

I may be posting with more irregularity than I would prefer to try and make up for the backlog from the series of setbacks earlier this year. I have suspended author interviews, but hope to resume these again soon. Please continue to send me your books for upcoming review. I genuinely love falling into every author’s unique story they create.

If you are interested in submitting your book for future review please check out the schedule of themed/open-themed months here.

Requirements for submission:

  • Print Edition Must Be Available (preferably paperback)
  • Under $20 (USD) – I buy your book like everyone else!
  • Not Erotica or “The Serbian Film” Level Gore/Sex/Violence – for more details check here.

You can send me an e-mail with the subject line: Only a Hippopotamus Will Do (e-mails not including this subject will be ignored)

In this e-mail include:

  • a link to where I can purchase your book.
  • a brief introduction to yourself
  • a link to your Twitter and/or personal website (if applicable).

IF you are interested in sending me a copy of your book, please send me an e-mail with the subject line: The Buffalo Seem Fine to Me