I published a book! The hardback is available for purchase through the printer, and the paperback is distributed through Ingram Global Distribution, which unfortunately has a mysterious turn around time of no one knows because it is unpredictable.
I decided that something positive had to come of today besides that gorgeous Seattle weather. Therefore, it’s official. I’m selling a poetry book. And it now has an official launch date.
You might see a few different images floating around for the upcoming poetry collection L’Identité Politique (first pictured above, the rest to follow):
I disagreed with someone on which phrasing made more sense and so we agreed that both should exist. So they do.
And of course I also made a larger notice – this one is more Instagram sized, though I haven’t used it there yet.
I can’t believe it’s real.
Jacob and Bee have mentioned interest in a Zoom launch party. If anyone would be interested in joining, I would absolutely love to host giveaways and other extra-special celebration games, if anyone can think of any. I have additional proof copies (meaning they contain errors and are not the actual final cover version) that are available for anyone interested in supporting me 🙂
I can’t begin to express how much work this has been, but it’s absolutely rewarding. This is one of at least four works I will see in a physical printed form from at least in some part of my creation during 2021. I couldn’t have done it without so many people. I don’t know where to begin, so I guess I’ll stop here for now.
Have a wonderful night, and as of four minutes from now, Happy Valentines Day.
It’s just the poem – it’s now live on Coffee House Writers. A limited release hardback with fancy photography, less fancy paperback, and hardback versions of a poetry collection called “l’Identité Politique” will be made available for pre-order starting on Black Friday. These three projects may have a soft release earlier with some super secret links, so keep an eye out on Twitter and Instagram as the proofs come in.
For those that are curious about the title:
If you are struggling with your holiday shopping list, remember that Indie Books and Art are great gifts. I’m going to start dedicating space to featured artists and authors more. Previously I didn’t have a grasp of how interviews could be misconstrued as more than just conveying information.
If you would like to have your book or art featured with a snippet about it, you, and a link to your website, please send me a DM on Twitter, Instagram, and/or email.
That’s it 🙂 That’s the whole thing.
Here’s a current draft cover for the softcover:
More details to come (and an explanation as to why A Hundred Different Skies is being released *very differently*)
Oh, and we’re going to be moving, but I think I may have mentioned that at one point? Anyways.
Today my story “Our Dearly Departed” went live on Coffee House Writers. Thank you so much to my friend Seth for all of his help on the fact-checking and historical research for this story. He’s actually the inspiration for writing a western and has been a huge encouragement to me breaking out of writing in the American Gothic genres in more regions across the United States.
This story focuses on the subject of post-mortem photography and how it was used in the era of westward expansion and Manifest Destiny. For those that could afford photography sessions in the territories, a luxury service not afforded to most people unlike in eastern states, it was all about creating a facade of preserved standard of living to share with the family back home. This involved false windows, painted backdrops, and curating a scene that matched what people wanted their families to believe, even in death. Given the expense, the photographer was called out to a home for births, deaths, and marriages only if they didn’t have a studio set up yet. Most photographers traveled until the 1890s – 1900s when the railroads allowed town populations to grow enough to sustain studio spaces, as opposed to the photographer traveling to each individual business request. These areas would later become “the flyover states.”
I will write more on the subjects of western cabinet card era photography (post-mortem, momento mori, mourning, etc), as well as how it differed across various regions of the United States, and how it intersected with American Spiritualism and legal fraud in the future. In the meantime, I hope you enjoy this short story inspired by my research so far with cultural and historic details assisted by a dear friend and someone I would consider extremely knowledgable on the West. Hopefully my skills at writing American Gothic style period pieces pertaining to this region of the United States improves.
Thank you for reading and I hope you have a great day! Remember to breathe 🙂