Tag Archives: Mornnovin

January 2020: “MORNNOVIN: The Way Of The Falling Star Book 1” by Alyssa Marie Bethancourt

Summary (Warning: Mild Spoilers):

Elves living in hiding. Humans oblivious to their continued existence. What could go wrong? The humans of Asrellion live under the false belief that they eliminated all elves in a genocidal war centuries ago until a prince encounters one in the forest and she saves his life. From that moment their lives are intertwined, even as she disappears and the human nations go to war. At least he is comforted by the dreams they share together in each other’s absence.

Seven years into the raging war between human nations, the prince becomes suspicious and discovers that humans are being manipulated – pitted against one another by a mysterious force. The elf princess too must face this same mysterious enemy. When reunited by a common threat, there is no time to dwell on the realization that they know each other’s worlds or that their dreams were shared.

But the world is so much more complicated when hidden siblings with language barriers emerge and necrophiliacs are watching.

Amidst the lore of this book and the implications of the mythical bond, lies a story of love and self discovery twisted by outside forces. As we follow our adventurers around the amazing world of Asrellion the reader witnesses a race war unfold.

Overall Reaction:

Holy Crap. I mentioned that I had previously met the author, but I had never before read anything she has written. I love this book and the world of Asrellion. Where’s Sir Peter Jackson?

Think: The Princess Bride meets The Lord Of The Rings (and The Hobbit) with more genocide balanced with artfully crafted dialogue for each individual character’s voice and way fewer song breaks.

The world of Asrellion has an attribute I will from here on out refer to in reviews as “other laws of physics.” Magic and other mythic properties are consistent and comfortable and don’t take on illogical cause and effect relationships. A reader can wander around and learn Asrellion in their own head as they choose and based on the MORNNOVIN fanfiction, I am glad to say it appears many are!

I love that all of the characters are deeply flawed in complex ways. Characters are irrational, emotional, arrogant, petty, in denial, self-serving, and some are extremely out of touch with the reality other characters around them are seeing. There’s also character growth. These flaws are chipped away at, little by little, so they morph and change, but never fully go away.

In regards to character presentation and point of view: I don’t call it head hopping and based on everything I’ve read, this doesn’t actually fall into the definition. One perspective per scene (from third person) is used to reveal limited information to the reader, even with an omniscient narrator and the perspective is always logical and clearly presented. This tool is used to follow intense emotions (example: we follow a character that leaves the room instead of staying to hear what another character says that’s painful for them to hear). I haven’t encountered this before and it made it possible to focus on emotional aspects of the story without having to use words to talk about the emotions.

Each kingdom of elves or humans has unique cultural practices that play out through dialogue, dress, and mind games between characters. Culture clashes and language barriers are constantly explored through observations and reactions unique to each character’s personality making each reaction feel genuine to a reader without ever feeling heavy handed.

Overall, I loved the story of war strategy, fighting an enemy, and how the author allowed adversity to exist beyond the main plot in numerous ways I can’t get into here without spoiling the book. If you love fantasy books about elves, humans, culture clashes and genocide this is probably the book for you.

LGBTQA?

Major characters are represented as having diverse relationship types. Absolutely belongs on any LGBTQA Fantasy Book list.

Grammar+

The few items I found were not noticeable enough to interrupt the flow of reading and are within the 1 error/10,000 word standard.

Twilight Zone Moment

Every book has one. Without going into detail or spoiling anything, there is a scene where a character shows up beaten to a pulp to execute a secret plan to take down an enemy, but I was very confused as to how the character got beat up.

Learn More About The Author

To learn more about Alyssa Marie Bethancourt check out her interview as part of the 2020 Author Interview Series. To keep up with future projects, you can visit her website and follow her on Twitter here. You can buy the book direct from the publisher here or on Amazon here. There is a Kickstarter for the second book, Trajelon: The Way Of The Falling Star Book 2.

Author Interview Series 2020: Alyssa Marie Bethancourt

I first met Alyssa in 2011 while living in Pittsburgh, Pennsylvania. At the time I could not fathom the fantasy world living within her brain that I would read from the pages of MORNNOVIN 9 years later and it was not a primary topic of our conversation. Over first first few of those 9 years Alyssa’s life turned upside-down and inside-out as I watched an acquaintance go through what must have been one of the most difficult periods of her life. Like a phoenix, Alyssa rose up. In my opinion, she is living proof that the dream of publishing a book can come true even in the most difficult of circumstances with the support of a community and, most of all, if you believe in yourself.

You can visit Alyssa Bethancourt’s website here to keep up to date on her current projects and you can purchase your copy of MORNNOVIN here.

  1. What are a few of your favorite things? How did these influence your book?

“Elves, swords, trees, dogs, music, wordplay, water, and the freedom to be odd. I feel like, for the most part, my interest in these things is almost immediately evident to anyone who reads my writing. MORNNOVIN doesn’t have as many dogs in it as I would like, though. I could also say that indirectly, through the writing process, the book was shaped on a molecular level by my exposure (or lack of) to these things as the work progressed. And many scenes only came together because of the music I was listening to as I brought them to life.”

  1. Do you have any inside jokes with friends and/or family members that you like to sneak into your content?

“Eh, not really? There is exactly one inside joke in MORNNOVIN, but the only person who understood it has since made a dramatically terrible exit from my life. Perhaps a sign that I’d better write to please myself alone from now on. At the risk of sounding maudlin, writing is a solitary endeavor and I’ve always done it in spite of the people around me, (especially family,) not with or for them. I do have some support now in the form of a writing critique group and a wonderful spouse who is my biggest fan, but that’s a very recent development.” 

  1. What do you find is the hardest part of the writing process?

“To quote writer Dorothy Parker, “I hate writing. I love having written.” 

This probably sounds boring, but the hardest part of the writing process is literally just figuring out and writing down what happens. I mean, broad strokes are fine, but then you have to sit in front of the blank page and answer the question of how to show that taking place, scene after scene, for an entire novel. Elf princess saves the world from certain doom, but like, how? Where? What does she do? What are the scenes you have to write? She has to get from here to there, but how much of that do you talk about? Do you talk about the actual steps? (No, obviously not.) How much do you describe? How much do you cut away from because it’s unnecessary? Just thinking about this is giving me Book Three stress. lol”

  1. How long did it take you to write this book from the first idea to publication date?

“There are two answers to this question.

The short answer is that I scribbled down the first exploratory scenes sometime mid-2008, and I wrote the very last scene of the final chapter on December 16th, 2014. So 6-and-a half-ish years to write, then I took some time off before editing, edited for a year, queried for a while, and finally published last year in 2019. Eleven years. Damn.

The longer answer is that I started writing the very first stories about Loríen when I was ten years old, back in 1989. It didn’t take long for those stories to become a novel; I think I finished the very first version of proto-MORNNOVIN (it had a different name back then, but the broad strokes were the same) within a year or so. It was awful, naturally. On top of that, I lost my only copy. I’d rewritten it completely by the time I was sixteen. That version, too, was embarrassing, but by that point I was deeply committed to these characters and their struggles. I rewrote it again in my early twenties. That draft sat in a chest in my house for more than a decade until I gave it one final chance to be the sweeping epic I knew it could be, when I started working on the now-published rewrite in 2008. So… from first inception in 1989 to publication in 2019? That’s thirty years. I don’t know if that’s a wow or a yikes.”

  1. What advice do you have to other new authors?

“Oh, I think other people have already said just about everything that’s worth listening to on the subject of writing. I doubt I have anything to add other than listen to those guys, then do your own thing. But above all, you can’t be a writer if you don’t write, so write. On the subject of publishing? Like, being an author? Shit, I still don’t know anything there. The only advice I can really offer is to find your own path and try not to let the fear paralyze you.”

  1. Who do you think the biggest unexpected allies in writing a book are?

“All of the authors of all of the stories you’ve ever read in your life – and I include fanfiction authors in this. You can attend all the creative writing courses in the world, but until you’ve really absorbed a broad spectrum of what other storytellers have tried out in the wild, you can’t internalize the reality of what works and what doesn’t. And you should always be reading more, always trying to learn something new either about writing, or about people and the world, or about who you are as a writer/reader. Authors who say they never read are not to be trusted and certainly not to be taken seriously. There’s no reason to pretend you’re inventing the craft when every storyteller from the beginning of time is out there ready to be your guide through the darkness.”

  1. Who do you think the biggest unexpected enemies in writing a book are?

“That’s easy: 1. yourself, and 2. everyone else.”

  1. What was your biggest inspiration?

“Without question, J.R.R. Tolkien. I wanted to write my own fantasy stories from the very first time my mom read THE HOBBIT aloud to me, when I was a toddler.”

  1. If you could send a letter back in time to yourself when you were first starting to write this book, what would it say?

“Hm. I may be a fantasy author, but I’m also a sci-fi reader. I know better than to try to affect the timeline. The most I could safely say to Past Me would be something generic like, “Believe in your words and don’t give up,” because it’s been a hell of a rocky road getting here.”

  1. Why do you write? (Optional)

“Because I have to. Sharks have to keep swimming, and writers have to keep writing. 

Honestly? I just can’t imagine not writing. There have been several points in my life where I’ve melodramatically declared that I’m never writing again, and it never sticks. I could just as easily declare that I’m not going to eat anymore, or breathe, or have red blood cells. I don’t get to decide any of that. I’m a writer, and that’s just how it is. I write because I need to.”