Today my story “Our Dearly Departed” went live on Coffee House Writers. Thank you so much to my friend Seth for all of his help on the fact-checking and historical research for this story. He’s actually the inspiration for writing a western and has been a huge encouragement to me breaking out of writing in the American Gothic genres in more regions across the United States.
This story focuses on the subject of post-mortem photography and how it was used in the era of westward expansion and Manifest Destiny. For those that could afford photography sessions in the territories, a luxury service not afforded to most people unlike in eastern states, it was all about creating a facade of preserved standard of living to share with the family back home. This involved false windows, painted backdrops, and curating a scene that matched what people wanted their families to believe, even in death. Given the expense, the photographer was called out to a home for births, deaths, and marriages only if they didn’t have a studio set up yet. Most photographers traveled until the 1890s – 1900s when the railroads allowed town populations to grow enough to sustain studio spaces, as opposed to the photographer traveling to each individual business request. These areas would later become “the flyover states.”
I will write more on the subjects of western cabinet card era photography (post-mortem, momento mori, mourning, etc), as well as how it differed across various regions of the United States, and how it intersected with American Spiritualism and legal fraud in the future. In the meantime, I hope you enjoy this short story inspired by my research so far with cultural and historic details assisted by a dear friend and someone I would consider extremely knowledgable on the West. Hopefully my skills at writing American Gothic style period pieces pertaining to this region of the United States improves.
Thank you for reading and I hope you have a great day! Remember to breathe 🙂