Every action has an equal and opposite reaction. Unresolved situations are frustrating.
Example: If a character experiences trauma, they will be traumatized and then display signs of trauma as a result of the event.
To not experience trauma in response to a traumatic event indicates something other. This could be used as a literary device. If it is not being used as a device it is distracting and takes away from the work. Make sure all actions have consequences.
Does The Characterization Of Each Character Match Up With The Timeline?
Characters are on a journey. Each character is moving from A to B and some will go on to C or D. Along those paths each character is changed. This creates the timeline of a book. How a character is portrayed in a scene needs to match the point in the timeline a character is at.
Example: A character that is in her twenties thinks about bills and her job as opposed to a character in her teens that is thinking about school. Because of this, the relationships formed around these areas are most important in life and are the most emotionally impactful outside of family and those that might as well be family.
We Didn’t Go Anywhere
When the setting of a story changes it’s important to have some form of transition to show movement of time and place.
There are some stories that don’t include enough details about objective indicators of passage of time and check that they are consistent such that all of the details of the story align temporally.
There are some stories that don’t include them at all and it’s somehow eternal summer somewhere bizarre like Alaska.
There are some stories that include way too much detail. It’s overwhelming and distracting from the story. I am suddenly studying the passage of time and the changing of the seasons instead of the nature of man.
There are some stories that include lots and lots of details. So many details. All the details. But none of them align temporally, so suddenly April was both 6 months ago and 2 months ago with Winter only 3 months away. This is when I start getting headaches. James Joyce does this. A lot.
Characters Have Hidden Lives
It’s Okay To Have “Offensive” Characters
There’s a huge difference between an “offensive” character that upsets readers and an overdone inaccurate stereotyped character that upsets readers because it doesn’t resonate.
The best offensive characters speak to the group they’re offending because they are too accurate and too real. This will be upsetting to some people. That’s the kind of “offensive” I relish. There may be those that demand a content warning. Good – research is showing that content warnings increase the reads a piece gets much like good tagging because people are seeking them out.
I don’t care who the author is – I promise if you have done your research and shaped your character in a way that reveals truths in your observations, I will love your character even if people get really upset with you over it. Cut the wound deep and hit where it hurts, not where it’s been done ad nauseum unless it’s real. Reveal something no one else has, but remember that pen names exist for your protection.
Your Characters Have Conversations The ReaderDoesn’t Know About And Doesn’t See
An author cannot document everything. They are writing down a snapshot of a potential alternate universe that could exist because someone thought of it, right? That means all of those characters have private inner lives the reader can’t possibly know in its entirety. This means characters can have relationships with each other that are implied instead of explicitly stated. All of this helps to create depth.
It helps to come up with a full backstory for every character in a story even if it’s never talked about or mentioned. This will influence how dialogue is written and how hidden relationships between characters are revealed.
Your Characters Have Moods
Depending on your character’s internal state they will have a mood. This mood will translate into action or inaction in response to a stimulus and that will result in some consequence. Moods and energy levels related to exhaustion as an effect of the story timeline should all be cohesive.
Your Characters Of Different Cultures Are Going To Have Trouble Getting Along
Culture clash is real. The minority of people will be peaceful and fine and that’s great, but your characters aren’t the saints you think they are. Nope. They are averse to change and other cultures and view other as dangerous. This goes all ways. Be real – your characters from different cultures are going to be uneasy around each other and hesitant to make friends for legitimate reasons evolutionary wired in (if they’re humanoid).
Settings Are Places That Can Only Be KnownThrough Experience
Setting Descriptions Have A Time And Place With Characters In Them
It is not uncommon that I run into setting descriptions that are detached from the story either by the characters not interacting with the setting features or by the characters existing completely separate from setting descriptions.
By integrating setting details with the story as a whole the sensory experience can be the focus. The integrated sensory experience of the setting provides the reader with a greater sense of passage of time.
Settings Indicate Culture
Think about it – In the United States, if I set a story in the South a reader is going to anticipate a lot of passive aggressive saccharine manipulation straddled by y’alls happening. If I set a story in the Northeast, there’s a more WASPy social norm puppet show expectation.
But that’s based on the dominant culture of an area. What about when you’re writing about an area’s subculture?
I like to refer to framing subculture structures in writing as “country clubs” – it’s exclusive, you need to know someone to be someone, and there are generally specific central gathering places.
Make sure everything makes sense temporally
Ground the reader in temporal details outside the character
Offend by speaking the truth and make very effort to ensure that truth resonates in an effective and impactful way with the audience
Characters have conversations the reader won’t see but totally influence what the final dialogue will be.
Characters have inner lives, states, and energy levels that change as a result of the story. Write that.
Culture clash is real. Observe it and describe it. Be curious and nuanced. This gives a story so much depth.
Details of setting can be added to show passage of time in the story and immerse the characters and action in the location.
Settings indicate dominant culture and can somewhat indicate subcultures.
Thank you for reading! If you like this post on writing please like and let me know. What are things in books that drive you crazy?
“Wanting Peace” welcomes readers back to Bracken Point with a new romance novel! This sequel in the “Reclaiming Life” series by Alaine Greyson returns us to this small community set in a small-ish town near the Chesapeake Bay. Cassie Roberts and her sister Bex must first deal with the loss of their mother to cancer. Cassie has her own inner demons she must face, but the problems of those around her provide ample distraction. Even better, she’s an accomplished professional finishing the requirements necessary for independent practice in the local rehabilitation clinic, so who better qualified to be giving said life advice?
But when her mother’s dying wish was for Cassie and her sister to reconnect with their estranged father, what is someone in her position to do? Can they confront and heal from that abandonment? Bex begins acting out as she is unable to regulate her own emotions. All this while Cassie and Michael realize that there’s something more than friendship between them. But can Cassie keep herself from meddling and prying into everyone’s secrets?
Overlapping with the end of “Chasing Peace,” this book brings whole new light to the unique characters of Bracken Point.
First off – this is the sequel to the book that inspired me to start writing reviews. Bracken Point is a fictional place that feels like home to me because it’s along the Chesapeake Bay. The premise of these books captured my attention with book one. These books are so much more than romance novels. I again want to commend the author for the incredible job she does writing these books in a compassionate and understanding way that does not judge characters. She chooses instead to focus on the complexities of mental health, recovery, and the role of the family in recovery. These books push for healthy relationships through communication, boundaries, and conflict resolution. Sometimes it’s cheesy, sometimes it’s steamy – “Wanting Peace” is everything I hoped for.
Book 2 is more graphic than the first book in the best possible ways. Greyson does not dance around the details of drug use, providing more imagery for the reader. As an example, “A waft of ammonia, smoke, and cat urine filled the air. Michael pinched his nose, wondering why he had never noticed the putrescent smell before tonight.” That snippet is one of many contained within the book that demonstrates an understanding critical for reaching an audience that needs the hope offered in this book. I recently purchased both books 1 and 2 of the series for a couple I love to read and review because they’re involved as leaders in the addiction recovery community.
I have one discussion point that remains from the previous review: What are the roles of a psychiatrist versus a therapist (aka psychologist) in drug rehabilitation, and what is the difference in their level of education?Can someone be both? (discussion relevant to the US only)
First off, I am not a mental health professional, but I do work in the health professions. This doesn’t make me an expert on something that isn’t my field. Psychiatrists and psychologists work together. People can be both. I had not done enough research in that first book review. I recommend checking out RehabCenter.net’s answer. Having never been in a rehab center and spending more time researching this question, I have learned that there are psychiatrists that specialize in dual-diagnosis. Additionally, I learned about the holistic treatment of addiction in specialized centers like the one discussed in Bracken Point. These psychiatrists call themselves “addictionologists,” according to Clearview Treatment Programs. And they are trained as therapists. Thank you to the very tolerant patient care coordinator that chatted with me. I appreciate your help explaining all of this, knowing I was reviewing a book and not seeking treatment.
There is a recurring character in this book that is a member of the LGBTQA community. There is a scene I personally appreciated where the author presents a situation regarding disclosure and invasion of privacy. It was well done.
This book is very close to meeting the 1/10,000 error standard. They did not interrupt the reading experience at all and mostly consisted of missing words.
Twilight Zone Moment:
This is a different kind of twilight zone. This is a twilight zone RESOLUTION. Remember how I got a little scared because I had no idea who lit the candles in book one? It all adds up now. I’m not freaked out any more.
About The Author And The Series:
Alaine Greyson is the author of many short stories, the Reclaiming Life series (Buy Chasing Peace here, Wanting Peace here, Preorder Finding Peace here), and will be soon releasing the Trapped Soul Series – preorder the first book here. Her publisher is Creative James Media.
Thank you to everyone that reads these. Without you I’m shouting into a void. I hope they help the indie writing community in some way.