A Journal Retrospective: Notes On A Dystopian Speculative Fiction Idea

Going through my old journals, I sometimes come across old story ideas that look like I wrote them late at night in a crazed state of sleep deprivation. “They” represents the government/society, I think? Here is one such example:

Breeders

Based on the date, I can only assume I came up with this idea after being called a “breeder” while walking through the Castro one day. For those that aren’t aware, “breeder” is a slur shouted at anything they assume has a uterus, and the individual shouting at it has had to make a whole slew of assumptions regarding the person possessing said assumed uterus. It’s rude and messy, and if you’re someone that does this, you should reconsider that behavior. The only times they have targeted me with this slur was while I was dating only women and was walking alone through the Castro in San Francisco.

Anyway, the concept of a breeder in this dystopian universe is that at birth, they screen humans for genetic diseases, genetic predispositions, and important or new beneficial traits. They then sterilize any that failed this screening (most infants), but the benefits (on average) life extension and increased intelligence. The detriment of being a breeder is a shorter lifespan with high variation in intelligence.

This creates a cast system with the first division existing between Breeders and Non-breeders. To children this is not apparent until adolescence, when they separate breeders upon reaching sexual maturity from their peers. While they worship Breeders as the genetic parents of all humans. Above Breeders there is a ruling class—the Royal class—retired, pampered, and in control over the government where only they can vote on legislation (non-breeders and breeders have no voting rights).

This whole set up began when a plague ravaged their human colony on a new terraformed planet, yet Earth kept in touch by regular transmission until there was a breakdown of communication. The Ruling Class told everyone that astronomical radiation caused this.” With a plague claiming everyone in the population with a specific genetic trait, the government established when the colony originally started and elder citizens set up a plan to help prevent diseases in the population and create a race of humans free of microbial and genetic diseases. Because the only people that may vote or be involved in lawmaking are post-menopausal men and women, the system persists. This creates further division.

They sterilized the lowest cast: criminal breeders. They only forcibly sterilize a breeder if they have committed a crime, or “new technology” reveals that their traits are no longer desirable, so they now are known to have a previously unknown rare genetic disease (as this is also a crime). In the first case, criminals lose all of their rights and are the absolute lowest class. In the second case, they and all of their offspring must be sterilized and join the non-breeders.

Select non-breeders are chosen as advisors based on their expertise in specific fields, such as the sciences. They also act as teachers, medical professionals, caregivers, and adoptive parents. In terms of the public education prior to adolescence, teachers may not know which students are breeders and which are not. Students much choose to “come out” eventually about their status once they have reached puberty, as this will mean separation from their peers and removal from the education system.

While adoptive parents (non-breeders) aren’t supposed to know the status of a child, it is not uncommon that they find out, and this will sometimes result in conflict and manipulation. This is a criminal offense that results in the child being removed from the parents.

When becoming an adult, the breeders go off to a resort city where they are provided with housing, food, pre-natal vitamins, and all forms of intellectual venture related items like art supplies and books to keep them happy. The work of the non-breeder class pays for this (and the former breeder class). And… I have a huge diagram about how the economy works in this society because a set amount of currency came with this society when they landed and started the colony. This doesn’t mean that counterfeiters don’t pop up, eventually.

In the economy, to allow for optimal success rate, Breeders are given no reason to stress and are encouraged to explore their passions openly from painting to water polo – whatever floats their boat as long as it doesn’t involve alcohol or anything that could affect their body adversely. In return for having their passions encouraged and patronized by all subjects that pay taxes, breeders must contribute a mathematically agreed upon number of babies to the world based on the breeder’s age at onset of puberty.

One conflict idea I had was that there would be a trial run of young adult breeders given the option to opt out and instead work alongside sterile humans to pay their taxes and can change their minds until they hit menopause once they hit a population maximum.

In order to become part of the voting class a woman must have produced at least one child (or however many are necessary per person to maintain the population) and men must not only have a long history of participating in sperm donation but whose genetic material must have been used at least once.

They match eggs and sperm using statistically based genetic profiles of the individuals collected at birth. When a match occurs a woman goes to pick up her fertilized eggs using IVF, then she gets pregnant, gives birth after gestation, and breast feeds until she decides with an adviser that the child is ready to be weaned. At that point they review adoptive parent applications. If a child is not placed, the child is raised in a group home, attend a public school like everyone else, and proceed on through the social steps. “

So… that was a trip. c_c

I rarely write Science Fiction. Partly because I write dystopian Science Fiction. Specifically. And this is a genre that was… TL;DR discouraged to the point I stopped.

I’d like to change that.

People Who Inspire Me: Julie Nolke

Today is going to be a little bit different of a post. I’m celebrating an arguably famous creator/writer/artist and this is going to be the first in a series called People Who Inspire Me. Pretty simple concept, right?

I do not own any of these videos and they are embedded directly from YouTube. I recommend going directly to the YouTube channel and watching the video with ads to support this awesome creator, consider each embedded video a link. I do not get money from any ads played in the embedded videos.

Julie Nolke
Image Source: IMDB // Julie Nolke 2020 // Skyloft productions accessed 12 October 2020

Julie Nolke

You may have heard of her. You may not have. Her first appearance was on a show called Workin’ Moms and a though her IMDB is short, she has no shortage of material.

You can check out her Patreon, Twitter, Instagram, and Facebook.

She’s a comedic genius that focuses her superpower on empathetic storytelling.

My sister, Becky, first exposed me to her with this video:

Her comedy sketches around the 2020 Pandemic are some of the purest, most honest humor I have seen in a long time. At first, my impression of her style of humor was along the lines of a phrase I grew up with:

If I weren’t laughing, I’d be crying

Then I realized that’s 2020 and how my dumb ass self decided that the motto for this year was going to be “Hindsight is 2020” when we were all making up funny mottos. (Another person we knew said, “In 2020 We Take Shots Of Water!” As we can see, sobriety has not been working out for many people.)

In her [currently] 3 part series on 2020, there are 2 more videos, but she has added other 2020 themed videos that cannot be missed.

First, here’s Part 2 of the series:

After this video, these gorgeous pieces became a reality. Such as “Quarantine Panic Attack” where she uses her series “Mirror Mirror” to feature more revealing discussions with herself.

The artistic exploration used in some of these videos to explore the expression of comedy with empathy for human experience makes me smile.

One of my favorite videos about 2020 has been the collaboration between her and Anna Akana to create “Pandora’s Box Opened In 2020” – specifically around how messed up it is to put all the bad stuff in existence into a tiny box and give it to someone with the instruction not to open it when you really intended the whole time to have someone open it and simply displace the blame. Shame Zeus. For Shame.

Her other videos on the global pandemic and 2020 have been equally insightful works of pure art. Approaching touchy subjects such as social distancing and the shaming behaviors people exhibited at fulfilling the human need of contact and physical closeness. Pun intended.

Another brilliant video in her series on 2020 includes “First Date Post Pandemic” where she fantasizes about what going on a date after the pandemic would be like.

One of the other 2020 videos themed spot on is the “Casual Chit-Chat Attempt…” video featuring how Small Talk has devolved over this year into practically non-existent and redefined

small talk.

She even makes fun of herself in returning to the “Mirror, Mirror” series with a conversation about her sudden YouTube popularity. The video “I went viral” is an artistic approach at explaining comedic/artistic insanity.

But what about the shirt in that video? Well, it turns out she did a Q&A while taking advantage of Canada’s recreational marijuana laws. One of the things I appreciate about this entire video is the level of preparation that goes into it. She is not a stoner and she has boundaries around her consumption and she’s having fun with it. Similar to how people need to see healthy use of a substance (use of alcohol in moderation as an example) to know what that looks like, she does a great job at showing what NORML defines as healthy use, plus gives us a really entertaining show at the same time.

I would’t mind having this kind of friend at a party.

While there are still more videos not mentioned here on the topic of how 2020 impacts North America, she keeps it real every time. She keeps her viewers laughing and she’s trying not to let it all go to her head faster than that one time she was on the Disney channel.

Then, 4 days ago, she dropped this beautiful masterpiece of a Part 3:

Her last 2 “Explaining the Pandemic to my Past Self” videos (parts 2 & 3) have spent quite a bit of time focusing on the protests in the United States (as well as across the world), spurred by the death of George Floyd. The aftermath and the continued self education she works into these videos I find fascinating as she presents reflections of what she has learned.

Julie Nolke takes the time to address some very serious topics (with some Kubrick-esque comic relief). This falls in line with her style pre-pandemic as well as can be seen in her January 2020 video “Confronting Fear.”

Hopefully I succeeded in introducing you to an internet comedian that you can connect with during this year and all of its hard times. I look forward to talking about some of my other favorite YouTube channels and their creators.

Again, if you like what you see, you can support her by checking out her work and or following her on Patreon, Twitter, Instagram, and Facebook.


Thank you so much for reading this today! If you enjoyed this brief write up about Julie Nolke’s YouTube channel and her work during 2020, please take a moment to Like, Comment, and/or Share. That will help me gauge the posts my readers enjoy. As always, thank you for reading – without you these words would be meaningless little bits and bytes.